![]() This second concept is particularly interesting because even though we keep moving the same notes on the 2nd string against the first three chords, the quality of these chords keeps changing. This example demonstrates two basic concepts: The first is that you can add color to the most basic chords, in this case C–Am–F–G, by moving, removing, or adding a finger to each voicing. But the aforementioned songwriters knew that to make the everyday unique, you need to add some spice. In fact, the reason we hear it so frequently is because it sounds good, and it has been used masterfully by everyone from George Gershwin to the Rolling Stones and the Police. Now there's nothing wrong with the progression itself. These days it seems like every other hit song features the prosaic I–VIm–IV–V progression.
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